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ORLAN: esta es mi historia… del arte
Organizador
- Comisario/a: Alain Quemain
Sede
Círculo de Bellas Artes - Sala Picasso
Horario
Mar-dom; fest / Tue-Sun & Hol:
11.00 – 14.00 h / 17.00 – 21.00 h
EntradaEntrada / Admission: 5€
METRO: Banco de España / Sevilla
CERCANIAS: Sol / Recoletos
BICIMAD: Estaciones 20, 28, 29, 86
T: +34 913 605 400
Distrito:Centro
Autor:ORLAN
En esta edición, PHotoESPAÑA presenta una parte esencial de su creación artística: la práctica fotográfica. El hilo conductor de la exposición lo conforman sus múltiples reinterpretaciones de la historia del arte, que ya incluía en sus primeras obras de los años 60 y continúa en sus Autohibridaciones (1990-2023).
Junto a estas piezas históricas se mostrará la serie completa de las doce Autohibridaciones entre mujeres. Weeping Women Are Angry, trabajo inspirado en los retratos de Dora Maar llorando pintados por Pablo Picasso y que se expone coincidiendo con el 50 aniversario de la muerte del artista.
Lejos de juzgar al pintor o su modelo, ORLAN se dirige con este proyecto a las mujeres contemporáneas, animándolas a emanciparse y a dejar de ser objetos para convertirse en sujetos.
ORLAN: This is my history… of art
ORLAN, pioneer and key figure of contemporary art, has always stressed that she is not subject to any medium. This is the topic that takes precedence in her work, because she questions above all social phenomena. PHotoESPAÑA presents an essential part of the artist’s creation, her photographic practice. The common thread is that of her many reinterpretations of the history of art, from her pioneering works of the 1960s to her Self-hybridizations (1990-2023).
In addition to historical works, the complete series of the twelve Self-hybridizations between women, Weeping Women Are Angry, will be exhibited. Inspired by the portraits of Dora Maar crying painted by Pablo Picasso, the whole set will be exhibited on the occasion of the 50th anniversary of his death.
ORLAN does not put the painter or his model on trial since they can no longer defend themselves. She addresses contemporary women by encouraging them to emancipate themselves, to come out of the shadow and to no longer be objects but subjects.
